Wishing you a Shiny Happy 2016!

Wishing you a Shiny Happy 2016!

After quite a late NYE with over 18 (mainly teenagers) staying the night, Annie and I escaped to make a little collaborative painting to ring in the New Year.

And we really do wish you a shiny happy year!

My Shiny Happy Spring Project!

My Shiny Happy Spring Project!

So I’m doing a little bit of an experiment and it has to do with Instagram.

Shiny Happy SPRING 2015

Because while my heart is in facebook, I’m quite drawn to the pretty Insta pictures. And it’s pretty quick to scroll…scroll…scroll and see what people are up to, in pictures.

Each day, at least for September, I’m going to upload a new, A4 floral original, at just $55 each.

Anna with four of the Spring Floral series

This is the web link to my Insta page – https://instagram.com/shinyhappyart/, but it’s great to have the app on your phone and use it from there too.

I’m also filming some of the painting processes, so you’ll have an insight to how I create the layers of colour I love (the first one’s for tomorrow’s painting!).

So stay tuned. I’ll feed the info through Facebook each day – but we’ll see what Instagram can do too!

Thanks everyone and happy Spring!

Alternatives to Black

Alternatives to Black

Now, this tip applies to artists that use lines in their work (as I do with my illustrative style), as well as people looking to paint darks and shadows…

The background story – my mother, Diana Battle, is a very talented artist. She can paint beautifully in both oils and acrylics, and is also very confident in pastel and watercolour. The next two paintings (with their enlarged sections on the right) are by Mum.

9131664_orig

She’s always told me there’s no need to use black straight out of the tube (in the actual painting, that is – it’s still ok to use it as an underpainting or base colour).

4251473_orig

She’ll choose to use Paynes Grey (which is a very dark navy) or a dark mix of colours, but feels that black out of a tube, like Carbon or Mars Black, is too flat and uninteresting and unneccessary.

So the message is, that using a ‘black-substitute colour’ creates life in a painting, adding interest and movement.  Here are three black-substitutes that I use often, compared to black, on the bottom right.

288149_orig

 

Now this tip definitely applies to a realistic-style of painting like Mum’s, but it’s something I also remember when painting murals – like this one here…

203465_orig

At a glance the lines look black, but they’re actually painted in Dioxazine Purple (which is my black-substitute of choice). Take a closer look.

578285_orig

Here’s a pic of the bottle. I use A LOT of this colour.
5377921_orig
In this next painting of proteas (done for a handbag, that’s why half is upside down!) the shadows are deep greens and a mix of green with a touch of red (that’s another tip – add the complementary colour (from directly opposite on the colour wheel) to darken a colour – ie. add a touch of red to your green and vice versa, add a little purple to your yellow, or blue to your orange… you’ll be amazed at how much better it works rather than using a totally different colour from another tube).
9658046_orig
I hope that’s been interesting! I’d love to hear about your experiments, and if you’re an art-lover, you’ll have something more to look for when you see an artwork that you love.